Daughtry Baptized 19/RCA Rolling Stone: star rating: 3 1/2 stars
Community: star rating
November 19, 2013
Seven years after he placed on American Idol, Chris Daughtry and his band are opening up their would-be grunge to more nuance: folk instruments and synths, smoother high notes tempering Daughtry's bellow, "boom-b'boom" vocal-bass hook lightening the gender war in "Battleships." The sound on Baptized somehow links U2 to Rascal Flatts, adding Springsteen stances in "Wild Heart." More unexpectedly, there's also a banjo shuffle where Daughtry chooses Van Halen over Van Hagar, catalogs some of his other heroes and wonders who wrote Hole's songs. "Long Live Rock & Roll," it's called – a defense, perhaps, against anybody claiming guys like him helped kill it.
The Wanted
Word of Mouth
Island
Rolling Stone: star rating: 2 stars
Community: star rating
November 18, 2013
The Wanted are a boy band with a man's disposition: They drink, they get into arguments, and they tend to see women as passive creatures waiting around in heels to be redeemed or get their hearts broken. They cloak their casual misogyny in trying to look sensitive, alternating rakish club pop like "Walks Like Rihanna" with post-Coldplay ballads in which everyone gets a chance to brood. In either case, the sound is big and lead-footed, using gang choruses to remind you to have fun and string sections when things stiffen and get sad. The truth? The promise that they're gonna pour their love all over you is twice as charming – and half as creepy – as the one that they're gonna keep you safe.
Jake Bugg
Shangri La
Island
Rolling Stone: star rating: 4 1/2
Community: star rating
November 19, 2013
"I wake up/Check my phone/Jump in my whip/And off I go," Jake Bugg sings on "Kingpin." It's a song about the lush life of a drug dealer with a steelback giddyap that connects Eddie Cochran to the Smiths' "What Difference Does It Make?" And that knack for yoking today's restless energy to yesterday's jangle is what makes the 19-year-old U.K. chart-topper likable. Bugg's debut was at its best giving '62 Dylan and Buddy Holly a cocky Oasis charge, and the Bugg Man backed it up by calling fellow roots lovers Mumford & Sons "posh farmers with banjos." Dude has balls as big as Rickenbackers.
November 13, 2013
Lady Gaga is at her peak when she's playing the neon queen of all the world's outcasts. And with her constant prodding, her Little Monsters have filled the biggest big tent in modern pop. But in the five years since Stefani Germanotta's arrival, weird has become the currency that overwhelmingly fuels pop culture – from seapunk Tumblrs to American Horror Story. So for Gaga to stay on top in 2013, she has to keep cranking up the cray.
The Who
Tommy: Super Deluxe Box Set
Geffen/UMe
Rolling Stone: star rating: 5 stars
Community: star rating
November 12, 2013
As the first popular "rock opera," Tommy has plenty to answer for. But measured against pale 21st-century Broadway offspring, the Who's magnum opus still rules. Besides an impressive book, the news on this box is a virtually complete set of Pete Townshend demos, with the composer's warm tenor taking lead on every song. It makes for remarkable alternate versions. "The Hawker (Eyesight to the Blind)" hews closer to its Sonny Boy Williamson roots; "Sally Simpson" as a sort of music-hall piano romp. Semi-acoustic versions of "Acid Queen" and "Pinball Wizard" are delicious; a minor rocker ("Trying to Get Through") and a backward-tape jam ("Dream One") appear as well. The fierce '69 live recording comes from tapes that were thankfully stashed away by the band's sound man after Townshend ordered them destroyed. They prove the music's power even without actors – just the four dudes who cooked it up in the first place.
Various Artists
The Hunger Games: Catching Fire Soundtrack
Republic
Rolling Stone: star rating: 3 1/2
Community: star rating
November 19, 2013
Phil Collins has retired, but his legacy endures in the new Hunger Games soundtrack, which channels his recipe for Eighties melodrama: synth strings, croaked vocals, crashing drums. (Even Lorde's cover of Tears for Fears' "Everybody Wants to Rule the World" sounds like she'd rather be singing "Against All Odds.") Apparent Hunger Games superfan Patti Smith does better with the Katniss-worshipping "Capital Letter," and Santigold contributes a blatant cop of "I Know There's Something Going On," a 1982 hit by Abba's Frida – produced and drummed by Phil Collins. Come back, Phil. District 12 needs you.
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